A movement teacher can help you forever capture the attention of your audience

When introduced to a student for the first time, a movement teacher who teaches movement for actors will likely first notice those signs and habits that indicate tension and stress. The tension is something you can notice right away, and it can negatively impact an actor's chances at getting a call-back after an audition. Directors and others understandably want to avoid those actors who come in and sit with their eyes down, arms crossed defensively and jaw clenched. Wouldn't you much rather converse with someone who has an easy smile, is physically relaxed, and is generally at ease?

This is true throughout your acting career, not just in the casting room. When we go to the movies or to a play, we hope to be able to feel what the actor is experiencing and see the role come to life through their eyes. When a performance is tense, we can't help but feel tense ourselves. However, when an actor is able to let go of the tension and give a relaxed performance, the audience is far more likely to relate to the character and the story. An empathetic experience is more often the result. Without this release, it can also be hard for an actor to have any real presence on stage. While some may be lucky enough to be born with an undeniable presence, not all of us are that lucky. We want to see people truly experience something on stage, without being distracted by the tension. Plus, it's only natural for our eye to be drawn more closely to an actor who is relaxed.



It can be hard for an acting coach to get students to shed their tension habits. We all are guilty of having stress signs that we've made habitual. It's not natural though, as children certainly don't exhibit this behavior. They don't seem limited by stress in the least. They are free of cares and tension. An important part of learning movement is understanding that tension is a result of our need to shield ourselves from judgement. The actor's job, however, is to show the human condition in all of its frailty on a stage in front of hundreds of people. It's only natural for individuals to feel tense at the prospect. This makes movement training so crucial.



The acting teacher must help the actor to understand his tension patterns and to let them go completely. It's quite common for actors to feel fear when they let go of that tension. It can be even more challenging once the actor is placed in a role. However, the goal of the movement teacher who teaches movement for actors is to help the actor to let the tension melt away and instead to adopt the dynamic and multi-dimensional characteristics of a truly great actor.

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